front cover of Kali's Child
Kali's Child
The Mystical and the Erotic in the Life and Teachings of Ramakrishna
Jeffrey J. Kripal
University of Chicago Press, 1998
In a book now marked by both critical acclaim and cross-cultural controversy, Jeffrey J. Kripal explores the life and teachings of Ramakrishna Paramahamsa, a nineteenth-century Bengali saint who played a major role in the creation of modern Hinduism. Through extended textual and symbolic analyses of Ramakrishna's censored "secret talk," Kripal demonstrates that the saint's famous ecstatic and visionary experiences were driven by mystico-erotic energies that he neither fully accepted nor understood. The result is a striking new vision of Ramakrishna as a conflicted, homoerotic Tantric mystic that is as complex as it is clear and as sympathetic to the historical Ramakrishna as it is critical of his traditional portraits.

In a substantial new preface to this second edition, Kripal answers his critics, addresses the controversy the book has generated in India, and traces the genealogy of his work in the history of psychoanalytic discourse on mysticism, Hinduism, and Ramakrishna himself. Kali's Child has already proven to be provocative, groundbreaking, and immensely enjoyable.

"Only a few books make such a major contribution to their field that from the moment of publication things are never quite the same again. Kali's Child is such a book."—John Stratton Hawley, History of Religions

Winner of the American Academy of Religion's History of Religions Prize for the Best First Book of 1995
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Kin
Thinking with Deborah Bird Rose
Thom van Dooren and Matthew Chrulew, editors
Duke University Press, 2022
The contributors to Kin draw on the work of anthropologist Deborah Bird Rose (1946–2018), a foundational voice in environmental humanities, to examine the relationships of interdependence and obligation between human and nonhuman lives. Through a close engagement over many decades with the Aboriginal communities of Yarralin and Lingara in northern Australia, Rose’s work explored possibilities for entangled forms of social and environmental justice. She sought to bring the insights of her Indigenous teachers into dialogue with the humanities and the natural sciences to describe and passionately advocate for a world of kin grounded in a profound sense of the connectivities and relationships that hold us together. Kin’s contributors take up Rose’s conceptual frameworks, often pushing academic fields beyond their traditional objects and methods of study. Together, the essays do more than pay tribute to Rose’s scholarship; they extend her ideas and underscore her ongoing critical and ethical relevance for a world still enduring and resisting ecocide and genocide.

Contributors. The Bawaka Collective, Matthew Chrulew, Colin Dayan, Linda Payi Ford, Donna Haraway, James Hatley, Owain Jones, Stephen Muecke, Kate Rigby, Catriona (Cate) Sandilands, Isabelle Stengers, Anna Tsing, Thom van Dooren, Kate Wright
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King of Hearts
Drag Kings in the American South
Baker A. Rogers
Rutgers University Press, 2022
While drag subcultures have gained mainstream media attention in recent years, the main focus has been on female impersonators. Equally lively, however, is the community of drag kings: cis women, trans men, and non-binary people who perform exaggerated masculine personas onstage under such names as Adonis Black, Papi Chulo, and Oliver Clothesoff.  
 
King of Hearts shows how drag king performers are thriving in an unlikely location: Southern Bible Belt states like Tennessee, Georgia, and South Carolina. Based on observations and interviews with sixty Southern drag kings, this study reveals how they are challenging the region’s gender norms while creating a unique community with its own distinctive Southern flair. Reflecting the region’s racial diversity, it profiles not only white drag kings, but also those who are African American, multiracial, and Hispanic. 
 
Queer scholar Baker A. Rogers—who has also performed as drag king Macon Love—takes you on an insider’s tour of Southern drag king culture, exploring its history, the communal bonds that unite it, and the controversies that have divided it. King of Hearts offers a groundbreaking look at a subculture that presents a subversion of gender norms while also providing a vital lifeline for non-gender-conforming Southerners.
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Kinship to Kingship
Gender Hierarchy and State Formation in the Tongan Islands
By Christine Ward Gailey
University of Texas Press, 1987

Have women always been subordinated? If not, why and how did women’s subordination develop? Kinship to Kingship was the first book to examine in detail how and why gender relations become skewed when classes and the state emerge in a society.

Using a Marxist-feminist approach, Christine Ward Gailey analyzes women’s status in one society over three hundred years, from a period when kinship relations organized property, work, distribution, consumption, and reproduction to a class-based state society. Although this study focuses on one group of islands, Tonga, in the South Pacific, the author discusses processes that can be seen through the neocolonial world.

This ethnohistorical study argues that evolution from a kin-based society to one organized along class lines necessarily entails the subordination of women. And the opposite is also held to be true: state and class formation cannot be understood without analyzing gender and the status of women. Of interest to students of anthropology, political science, sociology, and women’s studies, this work is a major contribution to social history.

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Kitchenspace
Women, Fiestas, and Everyday Life in Central Mexico
By Maria Elisa Christie
University of Texas Press, 2008

Throughout the world, the kitchen is the heart of family and community life. Yet, while everyone has a story to tell about their grandmother's kitchen, the myriad activities that go on in this usually female world are often devalued, and little scholarly attention has been paid to this crucial space in which family, gender, and community relations are forged and maintained. To give the kitchen the prominence and respect it merits, Maria Elisa Christie here offers a pioneering ethnography of kitchenspace in three central Mexican communities, Xochimilco, Ocotepec, and Tetecala.

Christie coined the term "kitchenspace" to encompass both the inside kitchen area in which everyday meals for the family are made and the larger outside cooking area in which elaborate meals for community fiestas are prepared by many women working together. She explores how both kinds of meal preparation create bonds among family and community members. In particular, she shows how women's work in preparing food for fiestas gives women status in their communities and creates social networks of reciprocal obligation. In a culture rigidly stratified by gender, Christie concludes, kitchenspace gives women a source of power and a place in which to transmit the traditions and beliefs of older generations through quasi-sacramental food rites.

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Korean Cinema in Global Contexts
Post-Colonial Phantom, Blockbuster and Trans-Cinema
Soyoung Kim
Amsterdam University Press, 2022
Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history.
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Kwaito Bodies
Remastering Space and Subjectivity in Post-Apartheid South Africa
Xavier Livermon
Duke University Press, 2020
In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways in which these legacies reverberate between cosmopolitan Johannesburg and the diaspora. In foregrounding this dynamic, Livermon demonstrates that kwaito culture operates as a site for understanding the triumphs, challenges, and politics of post-apartheid South Africa.
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